Headwaters

I’m often asked how, as a woman, I got involved in hunting and not just as a pastime, but as a career. I myself am not exactly sure how I got started, but I remember when, or at least the first time it came to me that it was, very specifically, something I wanted to do.

I was going through those sometimes typical “finding myself” years. I’d ingloriously flunked out of college in my senior year – I’d never really liked it, and was actually a little surprised I’d hung on as long as I had – and had come back home to Northern Virginia to ride hunters and jumpers for several local stables. I waited tables at the local pub, too, its brass rail and bar stools bearing most of the local horse people at any given time. I wasn’t sure where I was going, but I was happy enough to be riding other people’s expensive steeds without paying the bills for them, and I’d found a little tenant house on a thoroughbred farm in Middleburg, smack in the middle of fox-hunting country. The cottage was a whopping $300 a month, utilities included, and a total bargain, given the symphony that rang out every time rain came down upon the cottage’s tall, tin hip roof. In all, life was easy, charmed, and flush with just enough cash for a thin, pretty, still horse-crazy, 20-nothing girl.

One early fall morning, after I’d lived in my little horse-heaven world a couple years, I woke up and decided I wanted to hunt. To this day I have absolutely no, and I mean no, idea where the impetus came from. Maybe it was one of the barn hands talking about dove hunting. Maybe it was a flight of mallards I’d seen. Could have been something on TV. Or maybe it was nothing at all. I truly don’t know. All I do know is that the idea seemed to just come to me, like some people “get” religion as they’re putting gas in their car one day.

How else could it have been? I did have a grandfather who hunted. Maybe that, at least, could be where the idea got planted. Hard to tell what impressions made on a scrawny, braided-pigtail little girl will take root, but in looking back, I’d not feel right disavowing that at least the exposure then might have been it, might have been what started the swamp peat to smoldering.

female-duck-hunter-young

My mother’s father and mother were Hereford farmers, when I knew them. They’d always been agricultural and small-town, she a school nurse and the church organist, he an arborist, orchardist, and bee keeper of some renown in New Jersey, back when it truly was the Garden State. Sometime before I was born he felt a call to put handsome, hornless, white-faced cattle to graze across the rolling hillsides of upstate Pennsylvania. “God’s Country,” the sign announcing you were entering Potter County proclaimed. I never doubted that sign for a moment.

We saw my grandparents, due to the six-hour drive between us and them, mostly on holidays and, when I was a little older, maybe eight or nine, for a glorious whole two weeks in the summer. I never wanted to leave when I was there, prayed for a storm to snow us in at Christmas, cried when the two weeks were up in July. It was an idyllic place for a child who wanted to be outdoors and didn’t know it yet. Then again, we were of that last generation whose parents were always admonishing them, “Go outside and play, it’s too nice to be inside,” even when there was two feet of snow on the ground or a rainstorm had just ended.

When you’re a child in your grandparents’ care on a cattle farm in Pennsylvania’s northwest corner, just shy of the New York State line, there were just four times during the day you were inside. The first three were for meals at the Formica kitchen table, the fourth for watching the evening news through the snow of the one channel that managed to wend its way through the mountainsides to the small black-and-white television that perched on the farm house’s front porch near the front door that was never used as such. Aside from those few hours and regardless the season, we were outside.

There was a pond a hundred yards from the house, kind of good for swimming, but better for mud fights with my brother and cousins. The pond’s bottom had a unique combination of silky smoothness and slight grit that created a perfect ooze factor. The tiny snails in each handful were just a bonus, when the slinging was in full force.

Vacated barns, their angel-winged swallows darting in and out in greeting, called to us, too. We’d been told to stay out, of course. “There are holes in those old barn floors,” grandfather told us. “You’ll plummet to your deaths.” So we were careful, but explored anyhow, loving the memory smell of hay and animals long gone, the discovery of ropes and pulleys and rusty farm implements always oddly medieval. Games and adventure skits were made up on the spot. Our imaginations had free reign.

Maybe the biggest lure of the farm itself, the thing that drew us kids to it every day, was the quick little stream that flowed behind the farm house to the pond. In that stream lived fat, pink-bellied, silver-backed trout. If you didn’t let your shadow cross the deep hole on the left side of the sodded-over culvert that permitted a tractor to cross over the stream to the pasture behind it.

I remember my grandmother and grandfather, spotting, one day, through the living room window that faced that creek, a mink. A mink! I remember thinking to myself, as the glossy creature yanked a trout from the cool waters. And then I immediately thought how lucky I was to have seen such a thing.

The mink wasn’t the only successful angler. My cousins, brother, and I always caught something, usually the small ones, but my cousin Tommy, oh, did he have the touch. A freckle-faced, red-headed firecracker of a boy—a year older than me, we looked like we should have been fraternal twins—he was wicked smart and sure of himself even then, and he was best at catching the big ones on a corn kernel-laden hook he somehow had lowered into that trophy trout hole without scattering a one of them downstream. He’d yank the fish out of the hole when it swallowed the hook, remove the offending metal, and with a distinctive kersplunk, let it slip from his gentle grasp to land in the bucket of water where the rest of our prizes swam, dying slowly.

We’d fillet our catches in the afternoon on a stump in the yard, Tommy leading the way for all of us and saving his big one for last. With the stump now sticky with fish blood and fish guts and shiny with bits of trout skin, Tommy would stick the point of the sharp pocket knife he used into the wood, then reach down into the bucket with two hands to ease the last, barely breathing trout out into the pure air and lay it on the log. We were, as a group of children, singularly quiet, our breaths held waiting for a magician to perform his final trick.

But the magic never came. Inevitably, Tommy’s big fish would be a pregnant female. He’d do something with the knife behind her gill or head to still the big fish, then slit the belly. Always, eggs would pour forth. Then Tommy would curse, softly. We did not swear as children, and so it was shocking for a boy of 10 or 11 in the early 1970s to say something as simple as “Damn,” especially so that his cousins a year or two behind him could hear.

The look of anger and sadness that mixed on his face was unforgettable. It was like he’d been presented with a puzzle that he should have been able to figure out but instead had to have someone older and wiser finish. Then disgust would take over, and he’d discard the fish, unable to look at it any longer. I asked, the first time this happened, for it seemed to happen every summer, why he was so upset, and he looked at me in pain and said, “I didn’t know she was pregnant. I shouldn’t have caught her. Do you know how many fish I just killed?” And then, in true aguish, he’d look down at his kill and say, “I should have known.”

I couldn’t fathom why he felt he should have known such a thing. But the gravity of what he felt I took to my own gut, his sadness became mine. I was so impressed that he felt as he did. We couldn’t have put it into words then, being as young as we were, but what I know now is that Tommy felt he’d wronged something in the scheme of nature’s cogs and wheels.

He’d given clues before. We’d walk down the long dirt road that fronted the farm, and he’d peak into a bird’s nest woven amongst the branches of some tree, making sure it was empty of eggs and weathered enough to be called abandoned before he’d gently pry it loose and hand it to me. We’d pick watercress for the dinner salad from the myriad rivulets that ran through the cow pastures, but just a little here, a little there, so as not to denude one area completely. Yet it wasn’t until those shiny pregnant trout fell to his pocketknife that I realized there was something more to our romping around in the sunshine than just a basic consideration for that which surrounded us, more than just a slightly tangible acknowledgement of being a part of the bigger picture.

I don’t know how such a boy learned to think like that – he was a New Jersey suburbanite just as I was, his childhood more Leave it to Beaver than Bonanza. But in looking back, maybe that’s where it started for me. At the very least, I know it’s a piece of the beginning, that for the simple act of remembering such summer days of my childhood, I must be near the headwaters of what made me what I am today.

Jennifer L.S. Pearsall is a professional outdoor writer, photographer, and editor, who has been a part of the hunting and shooting industries for nearly 20 years. She is an avid clays shooter, hunter and dog trainer. Please visit her blog “Hunting the Truth” at http://huntingthetruth.com.

New Ithaca Waterfowl 12 Gauge on the Horizon

Starting in March 2010, the Ithaca Gun Company will begin shipment of a waterfowl pump gun that’s infused with a weather and scratch resistant treatment believed to be the second application of this formula for a civilian shotgun – the first coming with Ithaca’s current Model 37 Defense pump gun.

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Winter Hunting Memories

I was hunting ducks one day, with a fine gentleman on the Massachusetts coast. Things were slow in the blind and we got to chatting about this and that. He gave me the impression that he was a well-educated man and I asked if he graduated from Harvard. He replied, “Everyone I have met that went to Harvard told me so in the first fifteen seconds of my meeting them.” He went to Yale and Dartmouth himself, but only confessed after being held at gunpoint.

Another time, I was duck hunting with a good friend on the Massachusetts coast and taking a few pictures at sunrise. It was very cold and I tucked my very expensive camera into my gunning coat. Suddenly, a banded Red Leg came over the decoys and I leaped up and dropped him into the blocks with a single shot. In my zest, my camera flew out of my gunning coat and landed in a tidal pool that was several feet deep. We figured that northern red leg duck cost about $1,800 dollars to bring down, not counting guns and ammunition.

I once shot and killed a hen mallard and drake stone dead with a single round from my 12-gauge Browning Gold. The pair landed belly up on the other side of a small river. I walked up river looking for a place to cross, and fell through an iced-over ditch up to my neck. It was January 17th and I nearly drowned. A do-gooder, watching through his telescope from his trophy home, called the police – not to report a man through the ice, but to complain about a hunter in the marsh that he could see from his property!

Ever get caught in a forty-knot blow while sea duck hunting three miles offshore – in an open skiff – with the anchor lines and decoy lines wrapped around each other and then firmly wrapped around the prop – with your stern to the wind and sea in January with sub-freezing temperatures? I have. The water was over my knees and going over the gunwales. It scared me enough to re-think my idea about “hardcore gunning” for sea ducks. I still go, but I go differently than I did.

On a more pleasant note, when I was ten years old Dad took me rabbit hunting on the Island with my new shotgun I got for Christmas. I looked over a cliff, saw some ducks, and crept back and asked if I could try for them. He said, “Go ahead.” I went back and shot my very first duck, an eider drake. Mum took my picture in the kitchen when I got home and Dad had the eider mounted. Thirty-eight years later I still have the mount, Mum’s photo and my first shotgun. Thanks Mom and Dad. You have no idea how much that meant to me.

Capt. David Bitters is a writer/photographer and a striped bass/sea duck hunting guide from Massachusetts. His photos and essays have appeared in over one-hundred magazines. Capt. Bitters is currently finishing his first book, “A Sportsman’s Fireside Reader – Tales of Hunting, Fishing, and Other Outdoor Pleasures.” Contact him at captdaveb@baymenoutfitters.com or call (781) 934-2838. You can also write him at P.O. Box 366 Duxbury, MA 02331.

The iPhone ClayTracker Takes on the Ruins of Lehigh Valley Sporting Clays

Imagine a game of sporting clays without the hassle of a clipboard and pencil.

As you walk up to the cage, you don’t have to search for a place to rest the clipboard that holds the score sheet. Where should I put it? Lean it against the gun rack? Balance it on the railing? Leave it in the cart and remember the scores to write down later? Hand it off to a friend who hands it to a friend and so on until eventually someone in the squad ends up dealing with the clunky thing?

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Shotguns Up: Sporting Clays According to Bobby Fowler, Jr.

Common wisdom says one thing, Bobby Fowler Jr.’s trophy case says another.

Since he first started shooting competitively in 1993, Fowler has won about 150 titles in sporting clays and FITASC. He’s dominated the sports so thoroughly, that his middle initials should be HOA. Every gauge, on both sides of the Atlantic, in his home state of Texas – no tournament is safe from Fowler’s monumental skills in achieving the highest overall average.

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Combat to Clays: A Woman’s Journey

When I left theFBIAcademyafter sixteen weeks of training in 1986, I was covered in the most beautiful shades of purple, green, and yellow from my face to my collarbone, and down my bicep. The shotgun was too long, and my long neck and high cheekbones made it impossible to mount the gun properly to my shoulder while maintaining a proper sight picture (which is critical to defensive shotgun shooting). I lifted my face off the gun while shooting creating a horrible flinch, and all of the bad habits that ensue when shooting an ill-fitted gun followed suit. I was convinced that no one had ever hated a shotgun like I did in my bruised and frustrated condition.

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America Rising: Ithaca’s New 12-Gauge Phoenix Shotgun

There are no signs on the factory at 420 North Walpole Street in Upper Sandusky, Ohio, but open the old door and the pungent smell of machine oil is your first hint that the Ithaca shotgun is being re-born.

This rambling building that once housed a rolling rink, an automotive center and mold-making operation has been transformed into the backbone of the Ithaca Gun Company. Hard-working American men and women, like so many discarded in the upheaval of globalization, are now devoting their full measure of sweat and muscle to manufacture a new 100-percent American-built over/under shotgun code-named Phoenix.

“It’s nice to think that we could help our brothers and sisters in America by keeping and creating new jobs,” said Ithaca machinist, Tom Troiano.

Every screw, spring and steel billet is sourced from the U.S. as the company brings to life the stunning new 12-gauge Phoenix. From its inception, the Phoenix was designed to honor the proportions and sturdy sensibility of the classical over/under American shotgun.

InsideBreakOpen

Ithaca’s Phoenix in-the-white.

Shotgun Life recently enjoyed the privilege of spending a full day at Ithaca talking with nearly everyone in the company. We spoke with the men who made the barrels, the receivers and the stocks. We spent time with management. And we were given the unique opportunity to be the first one outside of the company to shoot a prototype of the forthcoming Phoenix.

We can report unequivocally that design breakthroughs engineered into the Phoenix have made it the softest shooting 12-gauge over-under we have ever pulled a trigger on. The felt recoil on the Phoenix is virtually nonexistent – on par with the benchmark Beretta 391 Target Gold 12-gauge semi-auto – kicking only just enough to reset the inertia trigger.

Better yet, with a starting price of about $2,500 and moving to $10,000 depending on the type of engraving and grade of American walnut, the Phoenix could easily mark a renaissance of the big Ithaca shotguns.

That’s why Ithaca named the Phoenix after the dazzling mythical bird which rose from the ashes to fly once again. But leading Ithaca authority, Walt Snyder, author of the definitive books The Ithaca Company From the Beginning and Ithaca Featherlight Repeaters…The Best Gun Going observed that the new Phoenix also has an historical precedence.

In 1945, Ithaca had built a one-of-a-kind 12-gauge, over/under prototype. As the Model 51, it had serial number EX1, for experimental 1. It now appears that the new Phoenix is a direct descendant of that orphaned masterpiece.

Full-length

The Phoenix as we saw it at the Shot Show.

Our first glimpse of the new 12-gauge over/under took place in January 2009 at the expansive Shot Show. There in booth 1736, I was drawn to the allure of an elegantly understated over/under that was all chrome-moly black steel and American walnut. The receiver, devoid of engraving, drew me in and I picked up the gun. I mounted it to my shoulder, my immediate impression one of a tight, well-balanced shotgun. Then I moved the top lever to the right and to my astonishment the barrels slowly fell open as though on hydraulics.

This was the shotgun that Walt would see several months later at a dealer event in Wilmington, North Carolina. Ithaca’s Mike Farrell arrived with it and Walt’s initial impression was that “It looked like a very well made gun. It seemed to mount and balance very well.”

At the time of the Shot Show, the gun remained months away from being in shooting condition and it hadn’t been christened the Phoenix. But after returning to the office, I would occasionally call Mike, the company’s number-two guy (no one at Ithaca has a job title), until he agreed to let me visit the company and actually try the shotgun.

For those of you familiar with Ithaca shotguns, it would be easy to dismiss the Phoenix as another heartfelt effort to salvage this fabled American manufacturer established in 1883.

Taking its namesake from the first factory in Ithaca, New York, the company’s fortunes in later years have been a tortured tale of missteps as one management team after another tried to reclaim the glory years that spanned the late 1800s until Pearl Harbor. That was a triumphant epoch when Ithaca manufactured shotguns such as the Flues side-by-side, the Knick trap gun, the 3½-inch Magnum 10 and the Model 37 pump based on a design by John Browning.

Beginning in the late 1960s, the company changed hands several times until it padlocked the doors in1986. The following year a new investor group took the helm until 1996, when entrepreneur Steven Lamboy acquired the assets and rights to make the Ithaca doubles. He turned out some beautiful shotguns in Italy bearing the Ithaca name but fell into bankruptcy in 2003. By 2004, the Federal government attached the company’s bank accounts for back taxes and a bitter lawsuit ensued in New York state between various stakeholders. In 2005, Ithaca’s assets were surrendered and the company liquidated.

That’s when Craig Marshall entered. Owner of MoldCraft in Upper Sandusky, he converted the family mold-making business into a new iteration of Ithaca. During the transition, the Marshalls assembled the flagship Model 37 pumps from existing inventory with every intention of restoring the marque’s luster. Unfortunately, the Marshalls eventually found themselves under-capitalized for the venture to the extent that they were forced to idle the factory for eight months between 2006 and 2007.

Finally, in June 2007 industrial glass magnate David Dlubak acquired the company’s assets and Ithaca name from the Marshalls. He started making fresh plant investments in the nondescript Upper Sandusky facility and brought back the team working on the Model 37.

As Dave explained to us in Ithaca’s distinctly blue-collar conference room, “We want to make a high-quality shotgun, at an affordable price, that will fit in the working man’s hands. The gun is going to be that guy’s pride and joy. The old Ithacas lasted fifty or sixty years. Now we make them to tighter tolerances and with better steel. We don’t want cheaper, we want better.”

Like many luminaries in the industry, Dave did not get his start making shotguns. Just as Harris John Holland began as a tobacconist, and Charles Parker a maker of spoons, curtains and locks, Dave comes from a family that owns and operates one of the largest industrial glass recycling businesses in the U.S., Dlubak Glass.

Dave was in the process of finalizing a new product called “bubble glass” that combined concrete and glass in faux log building material. Replete with grains and knots, bubble glass is resistant to fire and insects but soft enough for an ordinary drill bit. He was looking for a mold maker who could package the bubble-glass logs for affordable and dependable shipment.

He went to MoldCraft and met the Marshalls. Dave was presented with an opportunity to invest in Ithaca. Instead, he bought it.

Although a long-time aficionado of Ithaca shotguns, he acquired the company because of “the quality of the people and their ability.” These tool-and-die makers were the “elite of the elite,” he said.

For example, barrel-maker Roger Larrabee has been a tool-and-die machinist for 47 years. He trained Tom Troiano, who turns out the receivers.

“Roger trained a lot of the guys here,” Tom said.

3Guys

Ithaca craftsmen Roger Larrabee, Tom Troiano and Dan Aubill.

As a self-described “control freak” with a passion for quality, it was paramount for Dave to build a team with the capabilities to “make all the parts here,” he said. “I’m interested in making it all under one roof.”

He characterizes the Ithaca Gun Company as being in “stage two,” meaning that it has resolved the manufacturing issues with its current popular pump guns: the accurate Deerslayer series, the rugged Model 37 Defense, and the sweethearts of the pump-gun community, the 28-gauge Model 37 and the Model 37 Featherlight and Ultralight.

These shotguns showcased the production capabilities of the company. They demonstrated the team’s ability to craft receivers from a billet of steel or aluminum, to do away with soldering or any other heat-inducing joining, and to machine one-piece barrels with integrated rib stanchions that eliminate any potential warpage from the run-of-the-mill rib soldering.

“Ithaca certainly seems to have manufacturing savvy,” Walt said. “I’ve seen their Model 37 and it’s beautiful and I would assume they would be successful with the new over/under.”

These accomplishments came from “spending many midnights sorting these things through,” Dave said. “We’re not in love with wood, we’re in love with steel.”

The company’s passion for steel is clear when you tour the factory floor. As raw Pittsburgh steel goes from the mill-turn lathes to to grinders to finishing machines to polishers there is an almost monastic sense of duty among the people making parts for the shotguns. All the tooling and fixturing was developed in-house. Custom software was written by the youngest guy on the crew for the tightest possible tolerances. The individual components are funneled into an assembly room where one person hand fits everything together into a single shotgun.

After the factory floor I spent time with Aaron Welch, Ithaca’s designer and engineer. Looking over his shoulder in the cramped office, he rotated the solid-block 3D models of the Phoenix on his computer monitor.

There was the Anson-Deeley boxlock action ready to fire 2¾ inch shells.

I discovered that a secret to the low recoil of the Phoenix are the three capsule-shaped pockets machined into the bottom of the receiver. They are designed to distribute the load of shooting, improve longevity of the components and help absorb the spent gasses. Moreover, the slightly greater mass of the receiver and monobloc combine to give the Phoenix a lower felt recoil. The less-restrictive 1.5 degree forcing cone and somewhat heavier burled stock also helped tame excessive kick.

In examining the monobloc, Aaron talked about how the barrels are held to the breech section by a tubular connector, instead of being soldered, to improve reliability. At the business end of the 30-inch barrels, the muzzles are dovetailed together, rather than soldered, to prevent distortion from thermal expansion.

That sense of a hydraulic assist when opening the shotgun comes from cocking rods that push against the hammer springs when you move the top lever.

The top bolting mechanism was borrowed from the old Ithaca Knick. It sits high in the receiver for a stronger grip on the monobloc.

Next I looked at how the rib slides into the stanchions and is mounted with a single screw. Aaron said that interchangeable ribs would be available to provide different points of impact.

In the end, the Phoenix would weigh about eight pounds.

Now it was time to see how all the parts worked together.

CEO

Dave Dlubak with the Phoenix prototype.

Mike grabbed the prototype of the 12-gauge Phoenix. The shotgun was still in-the-white with a couple thousand test rounds through it.

We drove a few minutes to a piece of property on a lake that had once been a quarry. A house overlooking it was under construction. The house belonged to Dave and was being built from bubble glass in cinder-block form factors.

In addition to the house and lake, the property also had a trap machine set up by the previous owners.

Mike handed me the gun and in fact it did feel very well balanced. I practiced mounting it a few times. The straight stock fit quite well. Dan Aubill, the guy in charge of Ithaca’s custom stock program, had told me that it was measured to fit the “average guy” with a 14¼ inch length of pull, zero cast, drop at comb of 1½ inch and drop at heel of 2¼ inch.

Pushing the top lever, the barrels slowly fell open. I loaded in two 1? ounce shells. Mike took up the controller and when I called “pull” two things immediately took me by surprise. The first was the extremely low recoil, the second is how I completely pulverized the targets.

Mike and I went through a couple of boxes of shells, the two of us taking turns pulling targets. The trigger was light and crisp, the beads lined up perfectly and the tapered forend enabled a wide range of control.

I turned out to be the last one who shot the Phoenix that day and when the time came to return it to Mike I thought “I gotta get one of these.”

Irwin Greenstein is the Publisher of Shotgun Life. Please send your comments to letters@shotgunlife.com.

 

Useful resources:

http://www.ithacagun.com

VERONA

Verona

Hunters! Clay Target Shooters! All sportsmen who love shotguns! Now, for a limitedtime, Legacy Sports International is offering the Verona 401 semi-auto shotgun with a$100.00 rebate directly – and instantly –from Davidson’s Gallery of Guns. This means nomailing a rebate coupon to a manufacturer and waiting weeks to get your money back!

And there’s more! Each consumer ordering a Verona 401 during the Special period willbe entered into a drawing to win a waterfowl hunting trip in January 2010 with membersof Team Maniac from the Fowl Life television show.

Verona shotguns are being reintroduced to the shooting marketplace this year by LegacySports International. Many consumers and dealers alike will remember the Verona for it’sgreat line of Over/Unders brought in by PMC. Legacy Sports is not only bringing backthese guns, but they are significantly expanding the line.

In addition to the popular over/under lineup, Legacy Sports is also bringing in a family of Side by Sides, an Over/Under combo with a two barrel upland bird barrel set, and the 401line of inertia driven semi-automatics that have been field tested and endorsed by the castof the new television show, The Fowl Life. The Fowl Life airs on The SportsmanChannel, Pursuit Channel, ICTV and in Canada, Wild TV. Verona 401 semi-autos arefeatured on this show in all duck and goose hunting segments.

Shotgun Life, the first online magazine dedicated to the best in wing and clays shooting,also featured an in-depth story about the new Veronas. You can see the story at www.shotgunlife.com.

All Veronas are Italian-made and are premium quality shotguns. The new inertia driven401 semi-autos are a product of F.lli Pietta, well known for their quality reproductionguns of the Old West. The 501 and 702 Series of Over/Unders are again beingmanufactured by F.A.I.R. while the 662 Side by Side series and the two barrel O/Ucombo are made by Fausti. All are available through Davidson’s Gallery of Guns, or adealer near you.

Further information about these shotguns – and this offer – can be seen in SportingClassics magazine, On Target magazine and on www.shotgunlife.com as well as on www.thefowllife.com and www.legacysports.com.

For more details, contact Legacy Sports International at 775-828-0555 or e-mail sales@legacysports.com.

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